Elective affinities, part II. Micro 4/3 for riding reportage and bikepacking
How photography gear can help us shooting while riding (And why I chose M43 for this stuff)
What’s actually in the bag, and how it gets used.
Real-world testing, not spec sheets — plus the on-the-ground techniques that don’t depend on equipment at all: working the scene, reading the light, deciding where to stand. What survives an ultra race, what doesn’t, and what’s worth doing differently next time.
How photography gear can help us shooting while riding (And why I chose M43 for this stuff)
How the right bike can help you shooting? A few considerations.
When they ask you if you want to hop on and take photos on a freight train, departing at dawn and arriving at the sea, you can’t say no. You can only say thank you, wake up in the middle of the night, head to the train depot, and then photograph everything you can. No …
Some context: how I shoot, what I shoot Qui c’è la versione in italiano della recensione! Some preliminary remarks are necessary: I am talking about my experience simply because it’s the closest one I have, but this means it is very limited. Everyone has their own way of shooting, therefore everyone encounters different limits and …
Leggi tutto “From EM1 markIII to OM1 markII as work tool; my experience so far.”
Is customization of the camera important? Short answer, a big YES in my opinion. Let’s see why and how,
What I choose is the consequence of how I aim to shoot: it is a mean to an end. I’m not that interested in technical specs per se; I’m interest insofar as specif feature of the equipment allow me to be more efficient, therefore more creative. I don’t say anything new here: Jamie Windsor made …
Leggi tutto “Photography gear & tools: why and how it matters”