I photograph, I write, and I ride.
I’m Edoardo — photographer, writer, and rider. I cover cycling adventures, gravel, and ultra-distance races, mostly because I ride them myself first, camera in hand.
Off the bike, I hold a PhD in philosophy and teach history and philosophy in high school. On it, I chase stories the same way I was trained to chase an argument: patiently, and with an eye for what’s happening just beneath the surface.
Read the whole story, or see how I think about all this.
- +39 3921599817
- edoardo.frezet@gmail.com
- Partita IVA 12919740014
I photograph, I write, and I ride.
I’m Edoardo — photographer, writer, and rider. I cover cycling adventures, gravel, and ultra-distance races, mostly because I ride them myself first, camera in hand.
Off the bike, I hold a PhD in philosophy and teach history and philosophy in high school. On it, I chase stories the same way I was trained to chase an argument: patiently, and with an eye for what’s happening just beneath the surface.
Read the whole story, or see how I think about all this.
Works and collabs
What we can do together
How we can work together
riding reportage
I shoot from inside the ride, not from the roadside. That changes everything: no support car needed, access to places a car could never reach, and none of the stiffness people get in front of an outsider’s lens. Riders open up to someone sweating next to them. The result: a deeper connection, and riders who feel like the event never let go of them. Pedal-powered reportage doesn’t suit all events, but when it does, it provides truly distinctive storytelling.
team or solo
Sometimes a project needs one person who can disappear into the background. Other times it needs a small, well-run crew — photographers, videomakers, social media hands — moving together without tripping over each other. I do both, and know which one a project actually needs.
drone photography
A drone shot used to just mean context — the wide establishing shot before the real story. Not anymore: with the right eye, aerial footage carries its own narrative, adds real scale to a climb, or catches a whole peloton mid-turn — without ever looking like stock footage.
Ita, Fra, Eng
Fluent in Italian, French, and English — not just for smoother logistics, but because the best stories come out in someone’s own language. A rider who can joke, vent, or go quiet in their mother tongue gives you a very different picture — and a better one.
I’d rather teach you to see it yourself than just hand you my photos. Evening talks, full-day workshops, and one-to-one sessions, built around your own bike and your own eye — so you leave shooting your rides better than when you arrived.
from planning to distributing
The shoot day is the smallest part of the job. The real work happens before — route surveying, logistics, briefings with organizers — and after: editing, distribution, and the follow-through with magazines and institutions long after the event is over. That follow-through is where the relationships that actually matter get built.
Kind words
Explore the journal
Five alternative routes to explore cycling photography. This is the space you can enjoy whenever your GPS sends you down a road you didn’t plan on.